Architects and designers have been using seesaws, usually found in children's playgrounds, to create installations and make political statements. Here are six of the most engaging.
Equilumen by Mischer'Traxler
Two spheres hang from a metal rod to form this light fixture Viennese design studio Mischer'Traxler designed to mimic the look and movements of a seesaw.
The intensity of the light in each bulb shifts along with the motion of the piece. When one bulb is in the lowest position its glow is the most vibrant and the illumination of the opposite globe is dimmed.
US-Mexico border wall seesaws by Rael San Fratello
Bright pink seesaws between metal slats of the wall along the US-Mexico border to encourage children on either to side to play together.
Reciprocal Syntax by BCXSY
Sensors attached to this seesaw pick up on its movements and activate colourful scenes on the semi-transparent fabric walls that surround the piece, designed byDutch designers Boaz Cohen and Sayaka Yamamoto of BCXSY
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Impulse Montreal by Lateral Studio and CS Design
For this interactive installation, Canadian design studios Lateral Office and CS Design outfitted Montreal's Place des Festivals with 30 seesaws that light up and make sounds as they move.
Impulse was part of the city's annual Luminothérapie light festival. In addition to the illuminated structures, it also included imagery influenced by the shapes of seesaws projected on nearby buildings.
150 prepared dc-motors, 270kg wood, 210m string wire by Zimoun
Zimoun inserted 150 wooden seesaws inside the nave of a Gothic Austrian church to create this installation, named after the materials and quantity the artist used.
The seesaws teeter and hit the ground at different times causing a cacophony that is amplified by the acoustics of the chamber space.
Impulse New York by Lateral Studio and CS Design
A street in New York City's Garment District was closed off for another installation of Impulse. Similar to its first showcase in Montreal the Canadian designers attached LED lights and speakers to the polycarbonate planks.
Twelve seesaws ranging in length are activated by the motion of riders. All of the sounds are randomised resulting in a composition that is always different.
Source: Kristine Klein
